Showing posts with label pigments. Show all posts
Showing posts with label pigments. Show all posts

Sunday, March 09, 2014

this and that and GREEN GREEN living things!

 this is the current painting in this second nest series... i am thinking of upping the contrast a bit as it is way too quiet a painting (that's what i get for listening to the pachelbel canon while painting)
however i think it works (cause of the maple leaves) with the first one in this series.....but we'll see

i've talked before here about the pigments i use, and why......(i want only lightfast for the durability)
now i am experimenting with darks again.... this painting has selective areas that are layered colors to make a dark dark..
and i think i need to do more of that here with this painting
i do like the nestling..... baby birds are so fragile and transparent looking, that it amazes me to watch them grow up.. they really do look like little aliens when they first hatch
and they are all MOUTH........
anyway, i am always researching pigments, and ways to mix pigments to make darker darks, sometimes even 'black' isn't dark enough. i would rather not use a straight black pigment, so mainly i'm working with blues, greens and reds.... layered as pure pigment as well as mixed first.
i will also tell you...i REALLY need to knuckle down and LOOK at flowers..... i'm just not good at them
anyway, i use 100% cotton acid free internal/external sized paper, and i use permanent lightfast pigments- as long as these paintings don't get wet or stored in a moist environment, they should last a few hundred years with minimal change- that doesn't mean you can throw them in the window facing south in new mexico for ten years- (and you need to frame them with uv glass too) but with reasonable care.... yup 200-400 or more years
eventually when the originals get sold i can feel good about that. (not that it matters but stranger things have happened)

this next photo is a close up of moss......from the deck, it finally thawed enough for me to pry some of it up
i am going to stick it in closed terrariums, i miss GREEN living things so much- that is an extreme close up of the moss.... the really cool thing about this particular moss is those little brown thingies on the upper right.... they are some sort of sensor or seed or something... and they MOVE when you spray them with water....or it rains and the drops hit them....they swing around!
it fascinates me endlessly...
and the moss itself is a spongy soft pillow... so i couldn't resist putting it in terrariums --- besides i had to get it out of the planter it took over.....no? that is the planter i like to grow lettuce in, so the moss had to sort of go......and i need it in the house to make me happy over the winter ..........i think it's a win win.... right now some of it is sitting on a plastic plate and i've spritz the moss with water, until i get the 5 gallon fish tank up to plant it in....... i may even put a few other odds and end plants in there with it

now this is my birthday month
i am still really hoping for my birthday list..... but i think right now if i can get a new chair i would be ok...... ok not really but it would be a good thing
i am going to start releasing prints soon
so maybe my new chair, and some of the other stuff i need to keep going with this will happen sooner rather then later?

anyway the mountains of snow are slowly S L O W L Y melting
and the iceberg that sunk the titanic is still outside the duckroom door..
i am still waking up in pain (agony really until the tylanol kicks in)....however last night i was able to stay in bed and get up once for the stove.....
i still woke up, i just didn't come down because i knew it was warm enough..... yup it was
at 9am this morning when bernie got home, it was 76 in the studio......so things are warming up slowly

how is it by you folks?
spring get to you yet?


Wednesday, March 05, 2014

my view of painting

3/4 of painting...(at least for me) is thinking.....
how to lay down the color
WHAT colors to lay down
what is the point of the story of this illustration?
what is the overall color language of this painting..
how does it relate to the rest of the series... does it tell it's own story AND continue the story of the series?
i also like to work from on palette for each series mostly
each palette i have (and i have a LOT of them) has a different range of the same pigments, but mixed differently or different % of those colors
i was working on laying down the first washes for this next painting in this more involved nest series and i realize that this is what i think  about...
while i am laying it out... while i am transferring it
as i sit and look at my drawing ...... my first questions are

what do i want to emphasize with this painting? and how do i use my color now to do that.
i think my most successful paintings not only had a tight layout but a very particular color point of view
at least to my mind

this painting is third in the current series... i went from a very subdued palette with punches of my beloved berry reds
to a very earthy but bright palette
this one is going to be bright and spring like i believe....
with i hope very clear layered washes of pure pigments
i'm working with cobalt right now- and i like how it is working so far
laying in the basis for the darks with it


and listening to the canon......
one of these days i am going to do a video while i work...(it may be a few years or a few months or days....when i have time)
so i can share with all yous